Thursday, July 10, 2008

R.E.M. - Automatic for the people



















Hurgh. There was a time, years ago, when I thought I liked REM. I'd heard all their "singles", and a couple of their albums all the way through, and I liked what I'd heard. Then it was 1993, I was 16 and in my girlfriend's bedroom making out. She put this fucking CD on and my boner was CRUCIFIED. I could not conceive how it was possible for anyone to make such a collection of morosity and concentrated ick, let alone a band that I'd thought I'd liked. Of the 12 tracks on this messy platter, only one sounded good at the time, and that was "Man on the moon". I still like that song OK. But you can't help but look at this album as the piece of shit it is: "Man on the moon" is the diamond ring you've been hoping would come out the other end of your dog after he ate it. Once that's been picked out and cleaned off, what's left? A fresh turd smashed and smeared all over your kitchen table. I've debated the merits of this one with various people over the years and one of the things that keeps getting brought up and tossed in my face is John Paul Jones' contributions in arranging the string bits, as if JOHN PAUL JONES is going to somehow lend it any quality in my eyes. And if a song is terrible, will string parts somehow make it great, or at least elevate it to some level of listenability? NO. Not even in disco does that happen, and disco has a lot of strings. Of course, everyone who hates this band or this album focuses their ire on "everybody hurts" because it's obviously one of the most infuriatingly crap songs of all time, and it gets used all the time in cheesy TV and movies when some lame breakup happens between lame people, (cue post-breakup "better times" montage) which is extra annoying. It makes a convenient target because of its exposure, but the rest of the album is just as bad. Should I really get in the weeds with it? Nah, I'll just say that I don't like it, and I don't like it because it's such a downer, and that should be good enough. And when I say "downer", I mean it literally as well as figuratively. I mean, any record that can make a 16 year old's dick go limp when he's got 2 (tits) in the hand and his face in a bush is a powerful bummer indeed. An F+. The plus is for the song about Latke.

3 comments:

Anonymous said...

John Paul Jones was good ... in Zeppelin. Why he was doing strings from a washed-up college band is beyond me. R.E.M. fucking sucks. Can't say I even like one of their songs. Hell, I fucking hate Depeche Mode and I still like one of their songs. Michael Stipe is a whiny bitch.

Master Cianan said...

I actually deleted a segment where I talked about how much I think John Paul Jones sucked in zeppelin. I think R.E.M. writes about 1 good song per album on average. And yes, Stipe is an obnoxious whiner.

Anonymous said...

I'm gonna go out on a trunk here and say that JPJ was probably the best musician relative to his instrument in Zep. Even when you hear their god-awful live stuff, his bass is a thumpin'; the others -- not so much. Still doesn't explain his association with R.E.M. -- aka Retarded Emo Music -- with strings, no less. Yeah, I still don't agree with the one song per album thing, 'cause I can't fucking stand these guys -- but they definitely fit into the Lenny Kravitz way of doing things.